Tag Archive for: Studio Pivot

ACCENNI / ALLUSIONS – Romina Bassu, Lounge

08 Feb
February 8, 2016

11_25_FANPAGE_ROMINA BASSU

 

Romina Bassu’s works exude ambiguity, they are inhabited by characters who often interact with each other. Although the figurative aspect amplifies the narrative element, the intention of the author is not to “tell” a story with a linear logic. She has indeed most likely the will to create a voltage without the need to create didactic content. Sometimes she hides a face or deletes a look, elements that distinguish and identify a person. These figures are described by Romina Bassu as a “logic of deprivation” she describe those details as erased by time, just like the images of an old movie that has lost sharpness. The painterly gesture to cover the appearance helps to break the formal rigor of a figurative abstraction, flooded combination that accentuates the dramatic aspect. The decision to make it look as if time had stopped 50 years is not just a side effect of the origin of the images. What interests the author of that period are definitely the stereotyped people. The historical distance allows you to more clearly interpret the characters of that time in their psychological stress and their collective behavior.

Romina Bassu nasce nel 1982 a Roma, dove vive  e lavora. Studia all’Accademia di Belle Arti di Roma e presso la Facultad de Bellas Artes di Sevilla. Nel 2004 inizia la sua collaborazione come assistente nello studio di Alberto di Fabio e in quello di Cristiano Pintaldi. Dopo alcuni anni si sposta a Londra dove inizia la serie “I’m stressed out” che si conclude a Berlino con una personale. Trasferitasi in Spagna dà inizio al progetto “Archivo anonimo”, che parte da una minuziosa ricerca di foto antiche che evocano il passato. Con i suoi lavori l’artista cerca di rendere il senso del tempo che scorre sugli esseri umani cancellandoli e trasformandoli in figure nostalgiche. In questa prospettiva crea una “mitologia individuale” nella quale tutti possono riconoscersi.

 

"Edipo" Acrylic on canvas, by Romina Bassu

“Edipo” Acrylic on canvas, by Romina Bassu 2015

 

Mostre personali

2015 Mnemosyne, MEB Arte Studio, Novara, Italia. (catalogo)

2014 Archivo anónimo, Galleria Manuel Alés, La Línea de la Concepción. Cadiz, Spagna.

2013 Archivo anónimo, Sala Rafaél Argelés, Fundación de Cultura José Luis Cano, Algeciras| Sala Rivadavia, Diputación de Cádiz , Spagna. (catalogo)

2010 I’m stressed out, Pantocrator Gallery, Berlino, Germania.

 

"Transfigurazione" Acrylic on canvas, by Romina Bassu 2015

“Transfigurazione” Acrylic on canvas, by Romina Bassu 2015

 

Mostre collettive

2015

ArtVerona 2015, Galleria Marcolini, Verona, Italia.

Una mostra di arte contemporanea, MEB Arte Studio, Borgomanero, Novara, Italia.

Group psychology (and the analysis of the ego), Galleria Marcolini, Forlì, Italia.

Paesaggi Contemporanei, MEB Arte Studio, Borgomanero, Novara, Italia.

A fil di spada, Studio Pivot, Accademia d’Armi Musumeci Greco, Roma. Italia.

Ritrovarsi, Festival Internazionale d’Arte Contemporanea, Quartiere dei marinai, Sciacca. Italia.

 

2014

Arte Contemporanea, Sottotitoli, MEB Arte Studio, Borgomanero, Novara. Italia.

Premio Internazionale Marche d’acqua Fabriano Watercolour, Museo della Carta e della filigrana, Fabriano; Museo della carta di Toscolano Maderno, Brescia, Italia. (catalogo)

 

2013

Art Project Vejer, Casa de la Cultura, Vejer de la Frontera, Spagna (catalogo)

Paradise Now, Extraspazio, Rome. Italia.

Textures collettiva, Palazzo Montevergine, Airola, Benevento. Italia.
Premio Combat
, Museo Civico G. Fattori ex Granai di Villa Mimbelli | Museo di Storia Naturale di Livorno. Italia. (catalogo)
Premio Internacional Fundació Barcelona Olímpica. Arte sobre papel
, Museu Olímpic i de l’Esport, Barcellona,Spagna. (catalogo)

Premio internazionale Bice Bugatti – Giovanni Segantini 2013, Sala Gio.I.A, Nova Milanese

Mailbox, Chance art gallery, Roma | Pescara; Undergallery, Milan. Italia. (catalogo)
Ars Visibilis, MECA Mediterráneo Centro Artístico, Museo de Almeria, Spagna.

Arte gira dreams, MECA Mediterráneo Centro Artístico, Facultad de Bellas Artes de Granada, Spagna. (Web)

No, lo siguiente, Nando Argüelles art projects, Sotogrande, Cádiz, Spagna.

 

2012

Sincronicidades, Espacio Continuo Gallery, Badajoz, Spagna.

Bienal Marítima, Casa de las Cuatro Torres, Cádiz, Spagna.
Fondo de galería, Nando Argüelles Art Project, Sotogrande, Cádiz, Spagna.

2010 Open Studio, 142-143, Berlino. Germania.

"Transfigurazione" Acrylic on canvas, by Romina Bassu

“Transfigurazione” Acrylic on canvas, by Romina Bassu

 

 

 

These artworks are for sale.

ACCENNI / ALLUSSIONS

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

 

 

 

 

ACCENNI / ALLUSIONS – Gabriele Silli Room #102

17 Jan
January 17, 2016

11_25_FANPAGE_GABRIELE SILLI

 

Gabriele Silli  : Born in Rome, Italy,  in 1982 where he lives and works. He received his Degree in

Philosophy from La Sapienza University of Rome in 2009.

 

In 2004 founds with Giacomo Sponzilli and Carlo Gabriele Tribbioli the Mastequoia art group. His practice has pictorial roots and moves even through sculpture and performance.
Selected Solo Exhibitions: Esercizi di accanimento ottativo-digitali, Federica Schiavo Gallery, Rome, Italy 2014; Mastequoia op. 09-13. Rotterdam, Tokyo, Fès (with G. Sponzilli and C. G. Tribbioli), Viafarini DOCVA, Milan 2014; Mastequoia op. 09-13. Rotterdam, Tokyo, Fès (with G. Sponzilli and C. G. Tribbioli), Federica Schiavo Gallery, Rome 2014; Mastequoia op. 09-13. Rotterdam, Tokyo, Fès(with G. Sponzilli and C. G. Tribbioli), screening at Lo schermo dell’arte Film Festival, Florence & Filmstudio, Rome 2013; Forms of the Rock in a Night-Hymn #011 (with G. Sponzilli and C. G. Tribbioli), Galleria Otto Zoo, Milan 2011.

Selected Group Exhibitions: 

Arimortis, Museo del Novecento, Milan 2013 ; Far From Where We Came (with with G. Sponzilli and C.G. Tribbioli), Aaran Art Gallery, Tehran, Iran 2009; Pharaonesque (performance with G. Sponzilli and C.G. Tribbioli), V° Budapest Dance and Performance Festival, Hungary 2008; 1+1+1…, Fondazione Baruchello, Rome 2006;Selvatici bipedi – Otho – Melnikov! (performance with G. Sponzilli and C.G. Tribbioli), Mastequoia Theatre, Rotterdam, The Netherlands, 2006; Scegliere un oggetto, scegliere una parola e raccontare perchè (with Mastequoia), Fondazione Baruchello, Rome 2004 ; VII edizione del Festival Romapoesia (with Mastequoia), Rome 2004

 

Room #102 - Untitled, Oxidation by acid, collage,pigments on newspaper, 2014

Room #102 – Untitled, Oxidation by acid, collage,pigments on newspaper, 2014

 

Room #102 - Untitled, Oxidation by acid, collage,pigments on newspaper, 2014

Room #102 – Untitled, Oxidation by acid, collage,pigments on newspaper, 2014

 

 

These artworks are for sale.

ACCENNI / ALLUSSIONS

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

 

 

 

 

 

ACCENNI / ALLUSIONS – Veronica Della Porta Room #101 and Reception

10 Jan
January 10, 2016

11_25_FANPAGE_VERONICA DELLA PORTA

 

 

 

Veronica Della Porta was born in Modena in 1964, she lives and works in Rome.

She is an artist, scenographer and costume designer.

Before starting an autonomous creative path she collaborated with few artists like Mario

Schifano and Isabella Ducrot.

Her shoots are digital, black and white and unique prints.

 

SOLO EXHIBITION

2013 – s.t. foto libreria galleria, Rome, Italy

GROUP EXHIBITION

2014 – s.t. foto libreria galleria, Rome, Italy

ART FAIRS

Affordable Art Fair 2012, Rome, Italy

Setup Art Fair 2015, Bologna, Italy

 

Ferro 28 - Fine Art Inkjet on paper, 2011

Ferro 28 – Fine Art Inkjet on paper, 2011

 

Veronica Della Porta’s artworks testify the “beyond”.

The architecture beyond its use, studied in detail.

The space and the white lights beyond windows, the doors, the fissures.

The presence of the artists is concretized by the subtraction.

Veronica Della Porta excludes from her shoots what is essential to complete

reality.

 

 

Stanza 13-Fine Art Inkjet on paper, 2013

Stanza 13-Fine Art Inkjet on paper, 2013

 

In her artworks the everyday world that you can see from a window leaves

room for the silent but vibrant protagonism of the architectonic substance.

A photography becomes painting in Veronica’s hands thanks to a very careful

choice of the materials and kinds paper she decides to reproduce it on.

The print on bamboo or Japanese papers give uniqueness to her shoots

which are all unique pieces.

 

Spazio Arte Reception

Spazio Arte Reception

 

Spazio Arte Suite Living Room

Spazio Arte Suite Living Room

 

Vernissage November 12th, 2015 - Guests in the Suite

Vernissage November 12th, 2015 – Guests in the Suite

 

Suite

Suite  with ” Stanza 14″ – Fine Art Inkjet on paper,2013

 

 

ACCENNI / ALLUSSIONS

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

 

 

 

ACCENNI / ALLUSIONS – Giuseppe De Mattia Room #5

07 Jan
January 7, 2016

11_25_FANPAGE_GIUSEPPE DE MATTIA

 

Giuseppe De Mattia (Bari, 1980) studied cinema and urban planning. For several years his research has been centered on observation, the study and recovery of objects destined to be discarded; he recuperates, transforms and then photographs or films his finds, giving them a new life and purpose.

 

He strives to salvage and take care of what has been created by the passing of time in the form of scraps and waste. This approach is evident in both his personal work and through the duo-project created with Luca Coclite in January 2015, ‘Casa a Mare’ (curated by Claudio Musso). His research is often rooted in film archives such as ‘Home Movies’ (a family film archive in Bologna). With ‘Home Movies’, a long-term ongoing project, De Mattia develops work aimed at corroborating the theory that every film is unknowingly a photographic archive. This theory is both verified and theorized, firstly with ‘La coincidenza dello sguardo’ and subsequently with ‘Welt – Film’.

 

His modes of representation often involve the use of high-resolution scanners, photocopiers and traditional photographic apparatus; in general, every form of representational choice becomes part of his practice. All the objects chosen by De Mattia are part of an off-camera approach and action, centering his projects around the search for physical objects that in most cases do not appear in the final photographs, making the flea market a fitting birth-place for his research.

Most recently his work has found its final form through the use of photography, video, audio and drawing.

He is co-founder of the audio-visual duo ‘Fake Samoa’ alongside Nico Pasquini and has published books with Skinnerboox and Danilo Montanari Editore.

Giuseppe De Mattia lives and works in Bologna.

 

Room #5

 

Dust Collector

Opzione 1

La serie “Dust Collector”, di cui fanno parte queste due immagini, è un sistema che l’autore applica per rappresentare il tempo e la sua testimonianza. Ciò avviene portando alla luce i sedimenti, il deposito casuale della materia che compone l’atmosfera sugli oggetti. La polvere depositata su scarti di pellicola fotografica viene fissata e scansionata, restituendo altra forma alla materia, che appare come un cielo stellato.

Giuseppe De Mattia

Giuseppe De Mattia

 

Opzione 2

 I frammenti di pellicola sono stati utilizzati come “vetrini di contrasto” per fotografare i granelli di polvere che assumono una forma di costellazione casuale. Il lavoro presentato è una riflessione sul tempo e sullo spazio e sulla perdita del controllo su di essi.

 

Giuseppe De Mattia

Giuseppe De Mattia

 

 

ACCENNI / ALLUSSIONS

In collaboration with Matèria Gallery

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

ACCENNI / ALLUSIONS – Giulia Marchi Room #4

05 Jan
January 5, 2016

11_25_FANPAGE_GIULIA MARCHI

 

 

 

Prima di Essere Schiuma Saremo Indomabili Onde

 By Gemma Padley

 

It’s easy to believe that chance, that most slippery and unpredictable of occurrences, happens entirely of its own accord. Mostly this is indeed the case, where no amount of planning and toiling would have made the slightest bit of difference to the outcome. But what if chance occurs not exclusively as a result of a mysterious and unfathomable aligning of the stars, but because of hard work, thorough research, and fastidious preparation? For Italian artist Giulia Marchi, the latter is true; a great deal of time, thought and effort goes into the creation of her images, long before the physical ‘making’ stage occurs. Yet, during this intensive preparation process, unexpected but fortuitous moments occur. Her latest body of work is a case in point. Poetically titled Prima di Essere Schiuma Saremo Indomabili Onde (Before Becoming Foam We Shall Be Indomitable Waves), the images in this series look effortless, as though they have been plucked from the elements – earth, air, water. But Marchi has spent months planning how each image will look, and nothing, in this sense, is left to chance. Hours if not days of research have gone into the creation of these images.

 

For Prima di Essere Schiuma Saremo Indomabili Onde, as is the case with much of Marchi’s work, the artist draws on literature, specifically writings by Julian Barnes, Gustave Flaubert, Herman Melville and Italian poet and translator Cesare Pavese. Marchi scoured texts such as Flaubert’s Parrot by Barnes, and Melville’s literary classic Moby Dick for choicest quotes, which she then combined to create new associations. Her aim was not to respond literally to the texts, but to use combinations of quotes as a springboard to create new imaginary worlds, which she then realised through photography. This is where chance paid a visit. Sometimes a pairing of quotes would leap out at Marchi, sparking an idea for an image, she says. And coincidentally, Marchi discovered that Pavese translated Moby Dick into Italian in 1932, unbeknownst to her when she turned to these writers for inspiration. Without the tireless reading and re-reading, the endless culling of quotes and re-aligning of them with others, these beautiful moments may not have come to pass. Chance here, is a result of consistent hard work – and a little serendipity too of course.

 

In this sense, it could be said that for Marchi creativity does not exist in a vacuum; her inspirations are the products of an affiliation to the literary creations of others. But to mention this is not to do down Marchi’s creativity; rather it is a nod to the skill with which she dexterously manoeuvres her chosen quotes to create new meanings, and from these, formulate her own unique and otherworldly visual creations. A voracious reader, and a former literature student, Marchi has long found inspiration in words. For her previous project, Multiforms, also published by Danilo Montanari Editore, the artist drew on autobiographical writings by Mark Rothko, and short stories by Jorge Luis Borges, among other writers, while for 17:17, in which Marchi collaborated with Italo-Palestinian artist Mustafa Sabbagh, she was inspired by Oscar Wilde’s The Disciple and numerous interrelated titles.

 

Born in Rimini in 1976, Marchi worked on her most recent series over a period of a year. The title is a quote by Pavese, but it is Flaubert’s Parrot, a novel that offers glimpses into the famous French writer’s life and being through a separate narrative, and Moby Dick, Herman’s seafaring tale, which provided the main inspiration. Flaubert’s writings such as his diaries also formed part of her research as she endeavoured to get to know each author in the widest possible way. In some of the quotes selected by Marchi we can clearly trace a link to her ethereal images. For example: “amongst those who go to sea there are the navigators who discover new worlds, adding continents to the earth and stars to the heavens,” writes Barnes; a similar sense of wonder, the thrill of the journey, of discovery, is implicit in Marchi’s blue-washed images of skies and landscapes that resemble alien lands. And when we read the above quote in relation to one from Moby Dick, we begin to understand where Marchi is coming from: “It was a clear steel-blue day,” writes Melville. “The firmaments of air and sea were hardly separable in that all-pervading azure.” These words are pure poetry, from which Marchi creates a visual poetry that is uniquely her own. In her images we can almost see, smell and touch these new worlds the authors describe, with their roots in the earth and links to the heavens, stitched together to create a seamless exquisite vista between sea and sky. The quotes may be invisible in the images, but their presence is palpable – we cannot help but feel the weight of words in Marchi’s images, where text serves as an essential backdrop to the visual. Put another way, the work could be described as a meeting point for these unrelated texts, which come together to form beautiful but inexplicable associations.

 

If Marchi excavates texts to create her images, on another level she works as a sculptor might, drawing on a mix of natural and manmade raw materials – sand, wood, concrete and branches, to name just a few – to craft the scenes depicted in her photographs. Many of the images seem to explore the nature of surface, as though the artist were examining specimens with the aid of a magnifying glass. What she reflects back to us are the depths of unknowable truths, which tantalise and entice, but ultimately give nothing away.

 

It is difficult to pinpoint what the images in Prima di Essere Schiuma Saremo Indomabili Onde are about, but this ambiguity is entirely intentional. Devoid of context, the images, which play with abstraction, depict in-between, lunar-esque places – non-descript, tranquil yet unsettling – rootless and timeless, but always intriguing. The geographical locations are not important, neither, really, is the subject matter (although Marchi treats both with the utmost respect). More important is the essence of each image, its intangibility; not what it represents but the mood it evokes. Unconcerned with conveying specific meaning, Marchi is happiest leaving her images open to interpretation.

 

In keeping with her meticulous and hands-on approach to the work, Marchi created a handcrafted book that features her chosen quotes and serves as a vital link between the images in Prima di Essere Schiuma Saremo Indomabili Onde and the texts where it all began, which are at the heart of the series. She used old paper and submerged the book in water to make it look as though it had come from the sea – a joining of reality and fiction in a fitting embrace. Presenting the quotes in this way also highlights their importance to Marchi for whom words and images are equal in status – both an invaluable, inseparable part of her artistic creation.

 

Room #4

Room #4

 

Giulia Marchi

0,1 Prima di Essere Schiuma Saremo Indomabili Onde Photographic Print, 2015

 

Giulia Marchi

205 Prima di Essere Schiuma Saremo Indomabili Onde Photographic Print, 2015

 

Giulia Marchi

30,2 Prima di Essere Schiuma Saremo Indomabili Onde Photographic Print, 2015

 

Giulia Marchi

77 Prima di Essere Schiuma Saremo Indomabili Onde Photographic Print, 2015

 

ACCENNI / ALLUSSIONS

In collaboration with Matèria Gallery

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

 

 

Studio Pivot – Art Hunting and Counseling

13 Dec
December 13, 2015

LOGO STUDIO PIVOT SU SFONDO BIANCO

Studio PivotArt Hunting and Counseling takes an alternative approach to exhibiting and marketing art, curating a programme of exhibitions, cultural events and initiatives in unconventional spaces across Rome.

From its inception in 2012, the association has promoted and supported young contemporary artists, reviving public interest in contemporary art in the process.

Inspired by the French ‘pivot’, meaning hinge, the Studio places an emphasis on the collaborative steps that make up artistic projects. Founded by four specialists from the fields of art history, writing, architecture, and events administration, Studio Pivot offers a strong commitment to art in Italy’s capital city.

Vittoria de Petra, Elisa Gavotti Basilj e Beatrice Roccetti Campagnoli con sfondo un'opera dell'artista Chiara Lupi

Vittoria de Petra, Elisa Gavotti Basilj e Beatrice Roccetti Campagnoli con sfondo un’opera dell’artista Chiara Lupi

 

Vittoria de Petra, Flavia Lo Chiatto

Vittoria de Petra, Flavia Lo Chiatto

 

Proud to be partner of Studio Pivot

 

 

 

ACCENNI / ALLUSIONS – Mario Rossi – Library

01 Dec
December 1, 2015
MARIO ROSSI

MARIO ROSSI

 

I was born in Naples (ItalyNaples) and now I live in Rome  the city  that I set off from  and the city I go back to. I’m involved in photography since the late seventies years gradually supporting the need for deeper search for a language to identify with.

My point of view is influenced by my painterly vision of a place, which I transform into a photograph. This interpretation derives from my personal study of the modern tradition of the abstract-figurative “-isms” typical of the early twentieth-century avant-garde movements in the arts.

Geometry is certainly an important aspect of my research.

“Forms and trace elements are repeated with an attention to mathematics and music.The composition is arranged in a pattern that produces harmony and refers to a symphonic score of lights and figures interspersed with fragments of stories surprised from analytical look and similar to choreographies”. (S.Petronici)

I have exhibited in several galleries in Rome, Milan, Venice, Florence, Lecce, Naples, Amsterdam, Paris, London, New York, Philadelphia and Berlin.

The artwork Travellers # 1 is present in the collections of the Philadelphia University of the Arts and of the France Public Library.

Mario Rossi "Travelers"

Mario Rossi “Travelers”

 

Main solo exhibitions

Evidence of shape, Officine Fotografiche, Rome, 2001; 

Museografie, International Festival of Rome, Acta International gallery, Rome, 2006;

Walking, Gallerati gallery, Rome, 2007;

Flussi Geometrici, Complesso di Vicolo Valdina, Camera dei Deputati, curated by Loris Schermi, Rome, 2014.

Main group exhibitions

Boundary areas, PrimoPianoLivinGallery, Lecce, 2008;

Fuori3, Gallerati gallery, Rome, 2008;

Expectations NY, The Invisible Dog, New York, 2010;

Affordable Art Fair, Amsterdam, 2011;

Intimate space/Urban space, BiBox Artspace, Biella, 2012;

Prix de la Découverte, Salon de la Photo, Paris, 2013;

The Photo Review, Gallery 1401, University of the Arts, Philadelphia, 2013;

Heist launch, Heist gallery, London, 2014;

Best shots Exhibition Tour, UK, 2014;

Out of norm, Werkkunst gallery, Berlino, 2015;

START Fair, Saatchi Gallery, London, 2015, with Studio Pivot

Main Awards

Honorable mention at the FNAC Attention Talent Photo for the work Evidence of shape, 2006;

selected author for competitions Premio Celeste and Celeste Prize International, Italy, 2009;

Swimming pool, selected artwork for the project Jpeggy, sponsored by AMACI and Telecom Italy, 2009;

overall winner in the category Photography and Digital Graphics in the 2010 edition of the Premio Celeste Italy;

finalist at the second edition of Donkey Art Prize, 2012;

winner at XVI International Art Award Massenzio, Roma, 2013;

winner at The Best Shots International UK, Richmond, 2013;

finalist at the International Fine Art Award at The Gran Prix de la Decouverte, Paris, 2013;

third place winner at The Photo Pholio Review, Philadelphia, 2013; 

honorable mention at Mifa I, Moscow, 2014.

 

Lounge Mario Rossi

Lounge  with Mario Rossi Artworks

 

Mario Rossi Expò mirrors #3 2015

Mario Rossi Expò mirrors #3 2015

 

Mario Rossi Expò mirrors #6 2015

Mario Rossi Expò mirrors #6 2015

 

Mario Rossi Expò mirrors #2 2015

Mario Rossi Expò mirrors #2 2015

 

Cured by Studio Pivot

ACCENNI / ALLUSIONS – Beatrice Cerocchi Room #1

26 Nov
November 26, 2015
ACCENNI / ALLUSIONS BEATRICE CEROCCHI

ACCENNI / ALLUSIONS BEATRICE CEROCCHI

 

Beatrice Cerocchi was born in Rome in 1989 where she lives and works.

She took a degree in Architecture in Rome at the university “Roma Tre” and then she went to Milan to take a post graduation course at MiMaster where she obtained a master in editorial illustration.
In 2012 she won the second prize at the contest Talent Next at Pisa Book Festival and she was selected at Secret7″ contest.

Her works have been featured on The New York Times, Liber Magazine and Picame Mag.

 

Room #1

Room #1

 

Via di Monte Giordano, 28

Via di Monte Giordano, 28

 

Vicolo Domizio,8

Vicolo Domizio,8

 

Piazza di Montevecchio, 15 a

Piazza di Montevecchio, 15 a

 

Room #1

Room #1

 

Vicolo del Fico

Vicolo del Fico

 

Arco della Pace

Arco della Pace

 

Via dei Coronari,155

Via dei Coronari,155

 

Room #1

Room #1

 

Vicolo delle Vacche, 11

Vicolo delle Vacche, 11

 

Piazza di Montevecchio,17

Piazza di Montevecchio,17

 

Vicolo del Curato, 12

Vicolo del Curato, 12

 

Via dei Coronari, 225

Via dei Coronari, 225

 

Vicolo di Montevecchio,19A

Vicolo di Montevecchio,19A

 

Via Vecchiarelli,6B

Via Vecchiarelli,6B

 

These artworks are for sale.

 

ACCENNI / ALLUSSIONS

Photo by Alberto Blasetti

For information or private visits, please contact

Relais Rione Ponte : +39 06 9357 6629

Studio Pivot: info@studiopivot.it

LOGO STUDIO PIVOT SU SFONDO BIANCO

 

Spazio Arte – ACCENNI / ALLUSIONS

06 Nov
November 6, 2015

ACCENNI

/ ALLUSIONS

Quality and Art at Relais Rione Ponte,

Design guesthouse in the heart of Rome

New Opening!  12 november 2015 / 6.30 pm

ACCENNI / ALLUSIONS

ACCENNI / ALLUSIONS

 

The 12th of November 2015 Relais Rione Ponte, design guesthouse in the heart of Rome, will open the exhibition Accenni/ Allusions. This will be the first of a series of biannual exhibitions, conceived to offer some of the essential evidences of the “possible worlds” of the current contemporary universe, scattered and sketched inside a private space which intends to be open to Art.

With Accenni/Allusions, guests of Relais Rione Ponte will enjoy the 11 artists, each of whom will characterize a room: Romina Bassu, Elisa Bertaglia, Simone Cametti, Beatrice Cerocchi, Andrea De Fusco, Veronica Della Porta, Gabriele Silli, Mario Rossi and, in cooperation with gallery Matèria, Giuseppe De Mattia, Giulia Marchi ed Emma Wieslander.

The selected works, in some cases created site-specific, will be adjusted for the space and will be available together with the refined furnishings and historic artistic atmosphere of the area.

Velvet, aquamarine and mahogany. Wood, fabric and incredible colours will wrap anyboy entering the Relais Rione Ponte, few steps away from Palazzo Altemps, Chiostro del Bramante and Pantheon.

With Accenni/Allusions, the Relais wants to absorb and elaborate artistic quality around itself, converting it with courtesy and elegance into a varied style, contemporary and essential, cured by pop-up gallery Studio Pivot in cooperation with Flavia Lo Chiatto.

Mario Rossi "Travelers"

Mario Rossi “Travelers”

by Studio Pivot 

 

Relais Rione Ponte 

Spazio Arte 

Relais Rione Ponte - Spazio Arte

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